欧洲的某个地方

类型：剧情片地区：其它年份：1948

西瓜影视

HD中字

剧情介绍

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, ar.. Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form. 详情

猜你喜欢

TC抢先版

无名指2025

郭富城,许恩怡,鲍起静,梁咏琪,谭耀文
HD

哈基

Bülent Emin Yarar,Hülya Gülsen Irmak,Cem Zeynel Kili?,?zgür Emre Yildirim,Duygu G?khan,Durukan ?elikkaya
HD

独一无二

张婧仪,陈明昊,蒋勤勤,辛云来,章宇,白客,陈昊森,欧阳娜娜,黄建新,张郁梓,董浩,易立竞,张百乔
HD

催眠·裁决国语

张家辉,张翰,秦沛,郑则仕,金燕玲,张兆辉,谷祖琳,苏丽珊,李尚正,王浩信,郭政鸿,董畅,艾米,蔡瀚亿,骆应钧,杨偲泳
HD

潮性办公室国语

詹瑞文,吕慧仪,沈志明,杨诗敏,翟凯泰,陈静,赵彤
HD

保持通话国语

古天乐,徐熙媛,张家辉,刘烨,樊少皇,龚蓓苾,张兆辉,陈诗慧,贝安琪,王祖蓝,陈家乐,洪卓立,谭竣浩
HD

不再让你孤单国..

刘烨,舒淇,田亮,冯丹滢,黄秋生,萨日娜,张颂文,高天,连凯,李妍锡
HD

投奔怒海国语

林子祥,缪骞人,马斯晨,刘德华,奇梦石,郝嘉陵
HD

求爱大作战国语

沈震轩,陈奂仁,张建声,连诗雅,蒋家旻,吴若希,倪晨曦,庄锶敏,小肥,孟瑶,卢海鹏,邵音音
HD

阴阳错国语

谭咏麟,倪淑君,叶童,董骠,邓碧云
HD

列宁在一九一八..

史楚金
HD

家有喜事国语

张国荣,周星驰,张曼玉,吴君如,黄百鸣,陈淑兰,毛舜筠,李香琴,关海山,高志森,谷德昭,李丽珍,黄霑,黄光亮,何佩儿